There’s a lot of pressure in the motion market. Retakes are costly, which means cinematographers have to get it right the first time. They need to be able to trust their equipment to do the job day in and day out.
That’s where our vast industry experience and decades of colour-science research make the difference. We put quality, consistency, and attention to detail at the heart of everything we do. That’s why we’re used by the industry’s biggest names.
We’re proud to be part of the pioneering Panavision Group. Backed by their heritage, expertise, and dedication to innovation, we’re helping to power the visions of the global creative community.
ProGlass Cine IRND
Our ProGlass Cine range of neutral density filters has been designed to meet the exacting needs of all cinematographers, whether shooting digitally or on film. It’s no wonder they’re endorsed at the highest level of the film and TV industry.
LEE Elements Variable Neutral Density – VND 2-5 stops
Designed for photographers and videographers alike, this LEE Elements VND filter is fully adjustable to offer 2-5 stops of precise ND adjustment, with positive end stops and clearly defined stop markers.