Lighting

Zircon Cool LED Lighting Pack

Cool down the colour of warm white LEDs. The Zircon Density filters provide a controlled reduction to the light level of LEDs, while Zircon Diffusion filters complete the set.

Contains 9 sheets — 300mm x 300mm (12″ x 12″), thickness 180 microns.
Included filters: 810, 811, 812, 815, 816, 817, 818, 819, 820.

Purchase
  • 810 Zircon Diffusion 1

    810 Zircon Diffusion 1

    Strongest diffusion on thick polyester for easy use on panels and in channels. Can be used close to LED chip to blur the pixels.

    810
  • 811 Zircon Diffusion 2

    811 Zircon Diffusion 2

    Strong diffusion on thick polyester for easy use on panels and in channels. Can be used close to LED chip to provide some blurring of the pixels.

    811
  • 812 Zircon Diffusion 3

    812 Zircon Diffusion 3

    Medium diffusion on thick polyester for easy use on panels and in channels. Provides reasonable diffusion properties without too much loss of light.

    812
  • 815 Zircon Dark Density

    815 Zircon Dark Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 80%.

    815
  • 816 Zircon Mid Density

    816 Zircon Mid Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 60%.

    816
  • 817 Zircon Pale Density

    817 Zircon Pale Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 40%.

    817
  • 818 Zircon Cool Blue 6

    818 Zircon Cool Blue 6

    Longer life filter used to cool down the colour of warm white LEDs so that they look whiter.

    818
  • 819 Zircon Cool Blue 8

    819 Zircon Cool Blue 8

    Longer life filter used to slightly cool down the colour of warm white LEDs so that they look whiter.

    819
  • 820 Zircon Cool Blue 10

    820 Zircon Cool Blue 10

    Longer life filter used to very slightly cool down the colour of warm white LEDs, allowing different batches of LEDs to be used together.

    820

Zircon Warm LED Lighting Pack

Correct and warm up a range of different colour temperature white LEDs. The Zircon Density filters provide a controlled reduction to the light level of LEDs, while Zircon Diffusion filters complete the set.

Contains 12 sheets — 300mm x 300mm (12″ x 12″), thickness 180 microns.
Included filters: 806, 807, 813, 808, 809, 814, 810, 811, 812, 815, 816, 817.

Purchase
  • 806 Zircon Warm Amber 2

    806 Zircon Warm Amber 2

    Longer life filter for major warm up correction of cool white LED to Tungsten.

    806
  • 807 Zircon Warm Amber 4

    807 Zircon Warm Amber 4

    Longer life filter for medium warm up correction of white LED to Tungsten.

    807
  • 813 Zircon Warm Amber 5 (O32)

    813 Zircon Warm Amber 5 (O32)

    Longer life filter for medium warm up correction of white LED with minus green tint.

    813
  • 808 Zircon Warm Amber 6

    808 Zircon Warm Amber 6

    Longer life filter for correction of warm white LED to Tungsten.

    808
  • 809 Zircon Warm Amber 8

    809 Zircon Warm Amber 8

    Longer life filter for fine correction of warm white LED to Tungsten.

    809
  • 814 Zircon Warm Amber 9 (R31)

    814 Zircon Warm Amber 9 (R31)

    Longer life filter for fine warm up and minus green correction of warm white LED.

    814
  • 810 Zircon Diffusion 1

    810 Zircon Diffusion 1

    Strongest diffusion on thick polyester for easy use on panels and in channels. Can be used close to LED chip to blur the pixels.

    810
  • 811 Zircon Diffusion 2

    811 Zircon Diffusion 2

    Strong diffusion on thick polyester for easy use on panels and in channels. Can be used close to LED chip to provide some blurring of the pixels.

    811
  • 812 Zircon Diffusion 3

    812 Zircon Diffusion 3

    Medium diffusion on thick polyester for easy use on panels and in channels. Provides reasonable diffusion properties without too much loss of light.

    812
  • 815 Zircon Dark Density

    815 Zircon Dark Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 80%.

    815
  • 816 Zircon Mid Density

    816 Zircon Mid Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 60%.

    816
  • 817 Zircon Pale Density

    817 Zircon Pale Density

    Longer life filter for LED fixtures, used to reduce the light level by approx. 40%.

    817

LED Correction Lighting Pack

An extensive toolkit to correct a variety of issues associated with LEDs including removing green casts, warming different colour temperature white LEDs, and cooling warm white LEDs.

Contains 14 sheets — 300mm x 300mm (12″ x 12″), thickness 180 microns.
Included filters: 801, 802, 803, 804, 805, 806, 807, 813, 808, 809, 814, 818, 819, 820.

Purchase
  • 801 Zircon Minus Green 1

    801 Zircon Minus Green 1

    Longer life filter for use by photographers to remove large green casts produced by some LEDs.

    801
  • 802 Zircon Minus Green 2

    802 Zircon Minus Green 2

    Longer life filter for use by photographers to remove medium green casts produced by some LEDs.

    802
  • 803 Zircon Minus Green 3

    803 Zircon Minus Green 3

    Longer life filter for use by photographers to remove light green casts produced by some LEDs.

    803
  • 804 Zircon Minus Green 4

    804 Zircon Minus Green 4

    Longer life filter for use by photographers to remove fine green casts produced by some LEDs.

    804
  • 805 Zircon Minus Green 5

    805 Zircon Minus Green 5

    Longer life filter for use by photographers to remove tint green casts produced by some LEDs.

    805
  • 806 Zircon Warm Amber 2

    806 Zircon Warm Amber 2

    Longer life filter for major warm up correction of cool white LED to Tungsten.

    806
  • 807 Zircon Warm Amber 4

    807 Zircon Warm Amber 4

    Longer life filter for medium warm up correction of white LED to Tungsten.

    807
  • 813 Zircon Warm Amber 5 (O32)

    813 Zircon Warm Amber 5 (O32)

    Longer life filter for medium warm up correction of white LED with minus green tint.

    813
  • 808 Zircon Warm Amber 6

    808 Zircon Warm Amber 6

    Longer life filter for correction of warm white LED to Tungsten.

    808
  • 809 Zircon Warm Amber 8

    809 Zircon Warm Amber 8

    Longer life filter for fine correction of warm white LED to Tungsten.

    809
  • 814 Zircon Warm Amber 9 (R31)

    814 Zircon Warm Amber 9 (R31)

    Longer life filter for fine warm up and minus green correction of warm white LED.

    814
  • 818 Zircon Cool Blue 6

    818 Zircon Cool Blue 6

    Longer life filter used to cool down the colour of warm white LEDs so that they look whiter.

    818
  • 819 Zircon Cool Blue 8

    819 Zircon Cool Blue 8

    Longer life filter used to slightly cool down the colour of warm white LEDs so that they look whiter.

    819
  • 820 Zircon Cool Blue 10

    820 Zircon Cool Blue 10

    Longer life filter used to very slightly cool down the colour of warm white LEDs, allowing different batches of LEDs to be used together.

    820

Colour Effects Studio Pack

Contains a selection of saturated effect colours for use on backgrounds and for accent lights. In addition to general effects, the three primary colours (Red, Green, and Blue) can be used for colour mixing.

The pack includes 2x sheets of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 106, 139, 119, 010, 790, 181.

Purchase
  • 106 Primary Red

    106 Primary Red

    Strong red effect. Good with cyclorama lighting.

    106
  • 139 Primary Green

    139 Primary Green

    Good for set lighting and cyclorama lighting.

    139
  • 119 Dark Blue

    119 Dark Blue

    Good for mood effects created by backlighting and side lighting. Creates great contrast.

    119
  • 010 Medium Yellow

    010 Medium Yellow

    A pure bright yellow. Great for special effects and accents. Use with caution in acting areas.

    010
  • 790 Moroccan Pink

    790 Moroccan Pink

    A rich natural pink, good for producing late afternoon sun effects.

    790
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181

Cosmetics Studio Pack

Contains a selection of our ever-popular range of cosmetic filters, used to enhance skin tones while simultaneously softening the light. While primarily designed for portraiture, these filters can also be used to add a slightly diffused colour to backgrounds and accent lights.

The pack includes 2x sheets of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 184, 187, 188, 186, 775, 191.

Purchase
  • 184 Cosmetic Peach

    184 Cosmetic Peach

    A warm highlight or front light; complimentary for most skin tones.

    184
  • 187 Cosmetic Rouge

    187 Cosmetic Rouge

    A warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.

    187
  • 188 Cosmetic Highlight

    188 Cosmetic Highlight

    A warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters favourite colour!

    188
  • 186 Cosmetic Silver Rose

    186 Cosmetic Silver Rose

    A warm highlight, leaning towards pink. Brings out pink pigment in skin tones

    186
  • 775 Soft Amber Key 2

    775 Soft Amber Key 2

    Used for producing a warm key light colour. Flame retardant.

    775
  • 191 Cosmetic Aqua Blue

    191 Cosmetic Aqua Blue

    A cool highlight leaning towards blue, good for cool front light.

    191

Tungsten to Daylight Studio Pack

Features a selection of colour temperature blue (CTB) filters used to convert tungsten lights to daylight or electronic flash. Varying densities of blue will allow for partial corrections, general cooling, and effects such as moonlight.

The pack includes 2x sheets of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 202, 203, 200, 201, 218, 224.

Purchase
  • 202 Half C.T. Blue

    202 Half C.T. Blue

    Converts tungsten (3200K) to daylight (4300K).

    202
  • 203 Quarter C.T. Blue

    203 Quarter C.T. Blue

    Converts tungsten (3200K) to daylight (3600K).

    203
  • 200 Double C.T. Blue

    200 Double C.T. Blue

    Converts tungsten (3200K) to daylight (26000K) .

    200
  • 201 Full C.T. Blue

    201 Full C.T. Blue

    Converts tungsten (3200K) to photographic daylight (5700K).

    201
  • 218 Eighth C.T. Blue

    218 Eighth C.T. Blue

    Converts tungsten (3200K) to daylight (3400K).

    218
  • 224 Daylight Blue Frost

    224 Daylight Blue Frost

    Used for soft light effects with the addition of 201 Full CTB.

    224

Daylight to Tungsten Studio Pack

Features a selection of colour temperature orange (CTO) filters used to convert electronic flash or daylight to match tungsten lighting. Varying densities of orange will allow for partial corrections as well as effects such as sunlight or general warming. Also includes LEE 208, a combination of CTO & 0.6ND (85ND6), to be used when warming and an additional reduction in light are required at the same time.

The pack includes 2x sheets of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 208, 206, 205, 285, 204, 223.

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Diffusion Studio Pack

Features a selection of our most popular diffusion materials used to create a wide variety of effects, ranging from a subtle softening of the beam edge to creating a large shadowless area.

The pack includes 2x sheets of each filter, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 216, 250, 251, 253, 400, 410.

Purchase
  • 216 White Diffusion

    216 White Diffusion

    216
  • 250 Half White Diffusion

    250 Half White Diffusion

    A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    250
  • 251 Quarter White Diffusion

    251 Quarter White Diffusion

    A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    251
  • 253 Hampshire Frost

    253 Hampshire Frost

    A light frost effect.

    253
  • 400 LEELux

    400 LEELux

    A dense white diffuser used for wide beam spreads; creates an even, soft, field of light without shadows. Manufactured on a 125 micron polyester base.

    400
  • 410 Opal Frost

    410 Opal Frost

    A weak diffusion used for softening spotlight beam edges without altering shape. Manufactured on a 23 micron polyester base.

    410

Master Location Pack

Contains practically everything you need to handle any lighting situation — CTO to convert daylight to tungsten, CTB to convert tungsten to daylight, greens to match fluorescent tubes, and effects filters to add colour to backgrounds and accent lights. Plus our most popular diffusions, scrim, and black foil.

This pack includes 2x sheets of 200, 201, 202, 203, 204, 205, 206, 216, 250, 251, 210, and 224, and 1x sheet of the rest — all measuring 250mm x 300mm (10″ x 12″).
Included filters: 181,126, 202, 203, 200, 201, 219, 245, 244, 738, 206, 205, 204, 106, 216, 250, 251, 187, 188, 210, 270, 280, 775.

Purchase
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181
  • 126 Mauve

    126 Mauve

    Good for backlighting. Dark magenta / purple adds drama and mood.

    126
  • 202 Half C.T. Blue

    202 Half C.T. Blue

    Converts tungsten (3200K) to daylight (4300K).

    202
  • 203 Quarter C.T. Blue

    203 Quarter C.T. Blue

    Converts tungsten (3200K) to daylight (3600K).

    203
  • 200 Double C.T. Blue

    200 Double C.T. Blue

    Converts tungsten (3200K) to daylight (26000K) .

    200
  • 201 Full C.T. Blue

    201 Full C.T. Blue

    Converts tungsten (3200K) to photographic daylight (5700K).

    201
  • 219 LEE Fluorescent Green

    219 LEE Fluorescent Green

    General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.

    219
  • 245 Half Plus Green

    245 Half Plus Green

    Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter.

    245
  • 244 LEE Plus Green

    244 LEE Plus Green

    Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter.

    244
  • 738 JAS Green

    738 JAS Green

    A rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.

    738
  • 206 Quarter C.T. Orange

    206 Quarter C.T. Orange

    Converts daylight (6500K) to tungsten light (4600K).

    206
  • 205 Half C.T. Orange

    205 Half C.T. Orange

    Converts daylight (6500K) to tungsten light (3800K).

    205
  • 204 Full C.T. Orange

    204 Full C.T. Orange

    Converts daylight (6500K) to tungsten light (3200K).

    204
  • 106 Primary Red

    106 Primary Red

    Strong red effect. Good with cyclorama lighting.

    106
  • 216 White Diffusion

    216 White Diffusion

    216
  • 250 Half White Diffusion

    250 Half White Diffusion

    A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    250
  • 251 Quarter White Diffusion

    251 Quarter White Diffusion

    A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    251
  • 187 Cosmetic Rouge

    187 Cosmetic Rouge

    A warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.

    187
  • 188 Cosmetic Highlight

    188 Cosmetic Highlight

    A warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters favourite colour!

    188
  • 210 0.6ND

    210 0.6ND

    Reduces light 2 stops, without changing colour.

    210
  • 270 LEE Scrim

    270 LEE Scrim

    A perforated reflector producing a very soft reflection. Silver on one side and black on reverse.

    270
  • 280 Black Foil

    280 Black Foil

    Used to reduce unwanted light spill or to control unwanted light reflection.

    280
  • 775 Soft Amber Key 2

    775 Soft Amber Key 2

    Used for producing a warm key light colour. Flame retardant.

    775

Quick Location Pack

Contains a selection of our most popular and functional filters. CTO to convert daylight to tungsten, CTB to convert tungsten to daylight, effect filters to add colour to backgrounds and accent lights, and a selection of diffusions, scrim, and black foil to add texture and shape to the light source.

The pack includes 2x sheets of 201, 202, 204, 205, 216, 250, and 210, and 1x sheet of the rest — all measuring 250mm x 300mm (10″ x 12″).
Included filters: 181, 202, 201, 738, 205, 204, 106, 216, 250, 187, 188, 210, 270, 280, 224, 775, 251.

Purchase
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181
  • 202 Half C.T. Blue

    202 Half C.T. Blue

    Converts tungsten (3200K) to daylight (4300K).

    202
  • 201 Full C.T. Blue

    201 Full C.T. Blue

    Converts tungsten (3200K) to photographic daylight (5700K).

    201
  • 738 JAS Green

    738 JAS Green

    A rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.

    738
  • 205 Half C.T. Orange

    205 Half C.T. Orange

    Converts daylight (6500K) to tungsten light (3800K).

    205
  • 204 Full C.T. Orange

    204 Full C.T. Orange

    Converts daylight (6500K) to tungsten light (3200K).

    204
  • 106 Primary Red

    106 Primary Red

    Strong red effect. Good with cyclorama lighting.

    106
  • 216 White Diffusion

    216 White Diffusion

    216
  • 250 Half White Diffusion

    250 Half White Diffusion

    A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    250
  • 187 Cosmetic Rouge

    187 Cosmetic Rouge

    A warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.

    187
  • 188 Cosmetic Highlight

    188 Cosmetic Highlight

    A warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters favourite colour!

    188
  • 210 0.6ND

    210 0.6ND

    Reduces light 2 stops, without changing colour.

    210
  • 270 LEE Scrim

    270 LEE Scrim

    A perforated reflector producing a very soft reflection. Silver on one side and black on reverse.

    270
  • 280 Black Foil

    280 Black Foil

    Used to reduce unwanted light spill or to control unwanted light reflection.

    280
  • 224 Daylight Blue Frost

    224 Daylight Blue Frost

    Used for soft light effects with the addition of 201 Full CTB.

    224
  • 775 Soft Amber Key 2

    775 Soft Amber Key 2

    Used for producing a warm key light colour. Flame retardant.

    775
  • 251 Quarter White Diffusion

    251 Quarter White Diffusion

    A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    251

Lighting Pro Pack

Consists of 24 specially selected lighting filters, including 15 colour effect filters used for lighting backgrounds and creating special effects. Four colour-temperature correction grades (Full and Half Colour Temperature Blue, and Full and Half Colour Temperature Orange) can balance colour temperatures when working in a combination of daylight and tungsten lighting conditions. Two Neutral Density (0.3ND and 0.6ND) grades can reduce the power of a flash head or studio lamp to balance the intensities of lights or flash. Finally, two white diffusers can be used on their own or with other filters to eliminate shadows and soften the overall lighting effect.

  • 101 Yellow

    101 Yellow

    Sunlight and window effect – pleasant in acting areas.

    101
  • 103 Straw

    103 Straw

    Pale sunlight through a window and a good warm winter effect.

    103
  • 104 Deep Amber

    104 Deep Amber

    Good for sunlight effect, accents and side light. Be careful of skin tones under the reddish tint of this colour.

    104
  • 105 Orange

    105 Orange

    Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104.

    105
  • 106 Primary Red

    106 Primary Red

    Strong red effect. Good with cyclorama lighting.

    106
  • 111 Dark Pink

    111 Dark Pink

    Good for cyclorama lighting.

    111
  • 113 Magenta

    113 Magenta

    Very strong – used carefully for small areas on set.

    113
  • 115 Peacock Blue

    115 Peacock Blue

    A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc).

    115
  • 118 Light Blue

    118 Light Blue

    A strong night effect.

    118
  • 119 Dark Blue

    119 Dark Blue

    Good for mood effects created by backlighting and side lighting. Creates great contrast.

    119
  • 122 Fern Green

    122 Fern Green

    Good for cycloramas and creates a great mood effect.

    122
  • 124 Dark Green

    124 Dark Green

    Good for cycloramas and backlighting.

    124
  • 126 Mauve

    126 Mauve

    Good for backlighting. Dark magenta / purple adds drama and mood.

    126
  • 132 Medium Blue

    132 Medium Blue

    Deep moonlight. Great for colour mixing.

    132
  • 164 Flame Red

    164 Flame Red

    Great for fire effects.

    164
  • 170 Deep Lavender

    170 Deep Lavender

    Great for set lighting, discos and theatres.

    170
  • 201 Full C.T. Blue

    201 Full C.T. Blue

    Converts tungsten (3200K) to photographic daylight (5700K).

    201
  • 202 Half C.T. Blue

    202 Half C.T. Blue

    Converts tungsten (3200K) to daylight (4300K).

    202
  • 204 Full C.T. Orange

    204 Full C.T. Orange

    Converts daylight (6500K) to tungsten light (3200K).

    204
  • 205 Half C.T. Orange

    205 Half C.T. Orange

    Converts daylight (6500K) to tungsten light (3800K).

    205
  • 209 0.3ND

    209 0.3ND

    Reduces light 1 stop, without changing colour.

    209
  • 210 0.6ND

    210 0.6ND

    Reduces light 2 stops, without changing colour.

    210
  • 216 White Diffusion

    216 White Diffusion

    216

Reflector Pack

Contains 8 sheets of lighting reflectors in Mirror Gold (x2), Mirror Silver (x2), Soft Gold (x2), and Soft Silver (x2). These reflectors can be used as they are or mounted on polystyrene or board for added rigidity. They are ideal for use in the studio or out on location.

The sheets are all manufactured from high quality, lightweight, and flexible material. Available in 610mm x 530mm sheets.

Purchase

Colour Magic

Tint Pack

Features lighting filters that complement the Original Colour Magic pack to create alternative shades. The pack includes 1x sheet of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 702, 048, 174, 131, 088, 100, 108, 164, 157, 002, 228, 250.

Purchase
  • 702 Special Pale Lavender

    702 Special Pale Lavender

    A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades.

    702
  • 048 Rose Purple

    048 Rose Purple

    Good for emulating evening. Great backlight.

    048
  • 174 Dark Steel Blue

    174 Dark Steel Blue

    Great for set lighting. Creates good moonlight shadows.

    174
  • 131 Marine Blue

    131 Marine Blue

    Good for romantic moonlight. Often used in ballet and underwater scenes.

    131
  • 088 Lime Green

    088 Lime Green

    Use with gobos for leafy glades. Good for pantomimes, giving a slightly sinister atmosphere.

    088
  • 100 Spring Yellow

    100 Spring Yellow

    A sunlight wash – use with gobos, disco and dark skin tones.

    100
  • 108 English Rose

    108 English Rose

    Warm tint wash. Dark flesh tones and softer skin tones.

    108
  • 164 Flame Red

    164 Flame Red

    Great for fire effects.

    164
  • 157 Pink

    157 Pink

    Great for dance sequences (useful for softening white costumes without affecting skin tones).

    157
  • 002 Rose Pink

    002 Rose Pink

    Strong pink wash, good for cycloramas.

    002
  • 228 Brushed Silk

    228 Brushed Silk

    Directional soft lighting effect used for scattering light in one direction only.

    228
  • 250 Half White Diffusion

    250 Half White Diffusion

    A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.

    250

Light Tints Pack

Features paler shades to give more subtle effects and to filter white light from the lamp. The pack includes 1x sheet of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included colours: 169, 063, 061, 213, 007, 103, 009, 162, 154, 035, 003, 255.

Purchase
  • 169 Lilac Tint

    169 Lilac Tint

    A pale lavender. Good for almost white light with a cool tint.

    169
  • 063 Pale Blue

    063 Pale Blue

    Cool front light wash, good for creating an overcast look for cold weather.

    063
  • 061 Mist Blue

    061 Mist Blue

    A cool wash good for night scenes.

    061
  • 213 White Flame Green

    213 White Flame Green

    Corrects white flame carbon arcs by absorbing ultra violet.

    213
  • 007 Pale Yellow

    007 Pale Yellow

    Sunlight.

    007
  • 103 Straw

    103 Straw

    Pale sunlight through a window and a good warm winter effect.

    103
  • 009 Pale Amber Gold

    009 Pale Amber Gold

    Perfect warm front light for any skin tone.

    009
  • 162 Bastard Amber

    162 Bastard Amber

    A warm white / warm wash. Good lamplight effect.

    162
  • 154 Pale Rose

    154 Pale Rose

    A pleasing effect for theatrical lighting. A good lamplight effect.

    154
  • 035 Light Pink

    035 Light Pink

    A warm wash good for musical reviews.

    035
  • 003 Lavender Tint

    003 Lavender Tint

    Subtle cool wash for stage and studio lighting.

    003
  • 255 Hollywood Frost

    255 Hollywood Frost

    A light frost effect that softens edges.

    255

Complementary Pack

A good starter pack for exploring the basics of colour addition and subtraction. The pack includes 1x sheet of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included colours: 119, 174, 115, 117, 124, 138, 007, 101, 164, 176, 035, 128.

Purchase
  • 119 Dark Blue

    119 Dark Blue

    Good for mood effects created by backlighting and side lighting. Creates great contrast.

    119
  • 174 Dark Steel Blue

    174 Dark Steel Blue

    Great for set lighting. Creates good moonlight shadows.

    174
  • 115 Peacock Blue

    115 Peacock Blue

    A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc).

    115
  • 117 Steel Blue

    117 Steel Blue

    Good for cool washes. Adds a pale green tint. Great for emulating icy weather on stage.

    117
  • 124 Dark Green

    124 Dark Green

    Good for cycloramas and backlighting.

    124
  • 138 Pale Green

    138 Pale Green

    Good with gobos for wooded scenes.

    138
  • 007 Pale Yellow

    007 Pale Yellow

    Sunlight.

    007
  • 101 Yellow

    101 Yellow

    Sunlight and window effect – pleasant in acting areas.

    101
  • 164 Flame Red

    164 Flame Red

    Great for fire effects.

    164
  • 176 Loving Amber

    176 Loving Amber

    Used for backlighting and general areas. Great for sunrise effect and warming skin tones.

    176
  • 035 Light Pink

    035 Light Pink

    A warm wash good for musical reviews.

    035
  • 128 Bright Pink

    128 Bright Pink

    Created for use as backlighting and side lighting. Great for musicals.

    128

Saturates Pack

Features a selection of strong and vibrant colours for more intense colour combinations. The pack includes 1x sheet of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included colours: 181, 126, 120, 116, 139, 101, 105, 135, 182, 027, 332, 129.

Purchase
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181
  • 126 Mauve

    126 Mauve

    Good for backlighting. Dark magenta / purple adds drama and mood.

    126
  • 120 Deep Blue

    120 Deep Blue

    A pleasing effect for theatrical lighting.

    120
  • 116 Medium Blue-Green

    116 Medium Blue-Green

    A pleasing effect for theatrical lighting.

    116
  • 139 Primary Green

    139 Primary Green

    Good for set lighting and cyclorama lighting.

    139
  • 101 Yellow

    101 Yellow

    Sunlight and window effect – pleasant in acting areas.

    101
  • 105 Orange

    105 Orange

    Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104.

    105
  • 135 Deep Golden Amber

    135 Deep Golden Amber

    A great fire effect.

    135
  • 182 Light Red

    182 Light Red

    Good for theatre and television effect lighting as well as cycloramas.

    182
  • 027 Medium Red

    027 Medium Red

    Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing.

    027
  • 332 Special Rose Pink

    332 Special Rose Pink

    Great for Pantomimes, light entertainment etc. A good strong stage wash.

    332
  • 129 Heavy Frost

    129 Heavy Frost

    A strong diffusion that eliminates nearly all shadows. Flame retardant.

    129

Original Pack

Allows you to create 50 colours from just 12 filters. The pack includes 1x sheet of each colour, all measuring 250mm x 300mm (10″ x 12″).
Included colours: 180, 126, 116, 144, 118, 122, 101, 179, 192, 128, 129, 228.

Purchase
  • 180 Dark Lavender

    180 Dark Lavender

    A pleasing effect for theatrical lighting and backlighting.

    180
  • 126 Mauve

    126 Mauve

    Good for backlighting. Dark magenta / purple adds drama and mood.

    126
  • 116 Medium Blue-Green

    116 Medium Blue-Green

    A pleasing effect for theatrical lighting.

    116
  • 144 No Colour Blue

    144 No Colour Blue

    A clean blue with hints of green. Good for moonlight and sidelight.

    144
  • 118 Light Blue

    118 Light Blue

    A strong night effect.

    118
  • 122 Fern Green

    122 Fern Green

    Good for cycloramas and creates a great mood effect.

    122
  • 101 Yellow

    101 Yellow

    Sunlight and window effect – pleasant in acting areas.

    101
  • 179 Chrome Orange

    179 Chrome Orange

    A combination of 1/2 CTO and double strength 104, perfect for sunlight.

    179
  • 192 Flesh Pink

    192 Flesh Pink

    Good for musical and pantomime key lighting.

    192
  • 128 Bright Pink

    128 Bright Pink

    Created for use as backlighting and side lighting. Great for musicals.

    128
  • 129 Heavy Frost

    129 Heavy Frost

    A strong diffusion that eliminates nearly all shadows. Flame retardant.

    129
  • 228 Brushed Silk

    228 Brushed Silk

    Directional soft lighting effect used for scattering light in one direction only.

    228

Studio Pack

Features a range of technical filters for basic light-source control. The pack includes 1x sheet of each filter, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 281, 201, 285, 204, 209, 210, 211, 298.

Purchase
  • 281 Three Quarter C.T. Blue

    281 Three Quarter C.T. Blue

    Converts tungsten to daylight.

    281
  • 201 Full C.T. Blue

    201 Full C.T. Blue

    Converts tungsten (3200K) to photographic daylight (5700K).

    201
  • 285 Three Quarter C.T. Orange

    285 Three Quarter C.T. Orange

    Converts daylight (6500K) to tungsten light (3600K).

    285
  • 204 Full C.T. Orange

    204 Full C.T. Orange

    Converts daylight (6500K) to tungsten light (3200K).

    204
  • 209 0.3ND

    209 0.3ND

    Reduces light 1 stop, without changing colour.

    209
  • 210 0.6ND

    210 0.6ND

    Reduces light 2 stops, without changing colour.

    210
  • 211 0.9ND

    211 0.9ND

    Reduces light 3 stops, without changing colour.

    211
  • 298 0.15ND

    298 0.15ND

    Reduces light 1/2 stop, without changing colour.

    298

Studio Plus Pack

Features a range of technical filters for fine control of light sources. The pack includes 2x sheets of each filter, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 202, 203, 206, 205, 223, 218.

Purchase

Arc Correction Pack

Contains a selection of technical filters for colour correction. The pack includes 1x sheet of each filter, all measuring 250mm x 300mm (10″ x 12″).
Included filters: 241, 219, 242, 243, 245, 244, 206, 205.

Purchase
  • 241 LEE Fluorescent 5700 Kelvin

    241 LEE Fluorescent 5700 Kelvin

    Converts tungsten to fluorescent light of 5700K (cool white/daylight).

    241
  • 219 LEE Fluorescent Green

    219 LEE Fluorescent Green

    General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.

    219
  • 242 LEE Fluorescent 4300 Kelvin

    242 LEE Fluorescent 4300 Kelvin

    Converts tungsten to fluorescent light of 4300K (white).

    242
  • 243 LEE Fluorescent 3600 Kelvin

    243 LEE Fluorescent 3600 Kelvin

    Converts tungsten to fluorescent light of 3600K (warm white).

    243
  • 245 Half Plus Green

    245 Half Plus Green

    Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter.

    245
  • 244 LEE Plus Green

    244 LEE Plus Green

    Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter.

    244
  • 206 Quarter C.T. Orange

    206 Quarter C.T. Orange

    Converts daylight (6500K) to tungsten light (4600K).

    206
  • 205 Half C.T. Orange

    205 Half C.T. Orange

    Converts daylight (6500K) to tungsten light (3800K).

    205

Music

Rock & Roll Pack 1

Features a selection of 4 vibrant colours. The pack includes 3x sheets of each colour, all measuring 250mm x 250mm (10″ x 10″).
Included filters: 181, 116, 158, 128.

Purchase
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181
  • 116 Medium Blue-Green

    116 Medium Blue-Green

    A pleasing effect for theatrical lighting.

    116
  • 158 Deep Orange

    158 Deep Orange

    A great fire effect.

    158
  • 128 Bright Pink

    128 Bright Pink

    Created for use as backlighting and side lighting. Great for musicals.

    128

Rock & Roll Pack 2

Features a selection of 4 vibrant colours. The pack includes 3x sheets of each colour, all measuring 250mm x 250mm (10″ x 10″).
Included filters: 048, 132, 327, 127.

Purchase
  • 048 Rose Purple

    048 Rose Purple

    Good for emulating evening. Great backlight.

    048
  • 132 Medium Blue

    132 Medium Blue

    Deep moonlight. Great for colour mixing.

    132
  • 327 Forest Green

    327 Forest Green

    A deep green for sinister forest scenes, cycloramas and backlighting.

    327
  • 127 Smokey Pink

    127 Smokey Pink

    Good for cycloramas, set lighting and discos.

    127

DJ Pack 1

Features a selection of vibrant colours to light a DJ set. The pack includes 1x sheet of each colour, all measuring 250mm x 250mm (10″ x 10″).
Included filters: 048, 181, 343, 068, 116, 323, 327, 015, 020, 024, 026, 328.

  • 048 Rose Purple

    048 Rose Purple

    Good for emulating evening. Great backlight.

    048
  • 181 Congo Blue

    181 Congo Blue

    Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.

    181
  • 343 Special Medium Lavender

    343 Special Medium Lavender

    Good for theatre and T.V. effect lighting and backlighting.

    343
  • 068 Sky Blue

    068 Sky Blue

    Good for morning skin tones and night skies. Great for cyclorama lights.

    068
  • 116 Medium Blue-Green

    116 Medium Blue-Green

    A pleasing effect for theatrical lighting.

    116
  • 323 Jade

    323 Jade

    Used for underwater scenes, cycloramas and backlighting.

    323
  • 327 Forest Green

    327 Forest Green

    A deep green for sinister forest scenes, cycloramas and backlighting.

    327
  • 015 Deep Straw

    015 Deep Straw

    A warm amber light. Good for effects such as candlelight and fire.

    015
  • 020 Medium Amber

    020 Medium Amber

    Good for afternoon sunlight and candlelight. Also great for side lighting.

    020
  • 024 Scarlet

    024 Scarlet

    Great for pantomimes, ballroom sets and fire effects.

    024
  • 026 Bright Red

    026 Bright Red

    A vibrant red, good for cyclorama lighting.

    026
  • 328 Follies Pink

    328 Follies Pink

    Great for dramatic stage lighting.

    328

DJ Pack 2

Features a selection of vibrant colours to light a DJ set. The pack includes 1x sheet of each colour, all measuring 250mm x 250mm (10″ x 10″).
Included filters: 180, 797, 197, 141, 735, 089, 105, 744, 507, 027, 328, 113.

Purchase
  • 180 Dark Lavender

    180 Dark Lavender

    A pleasing effect for theatrical lighting and backlighting.

    180
  • 797 Deep Purple

    797 Deep Purple

    Used in musical performances for general colour washes and set lighting.

    797
  • 197 Alice Blue

    197 Alice Blue

    Great for cyclorama lighting and creating deep blue skies cyclorama cycloramas.

    197
  • 141 Bright Blue

    141 Bright Blue

    Very dramatic when used as moonlight.

    141
  • 735 Velvet Green

    735 Velvet Green

    A beautiful background colour. Victorian melodrama. A night time green.

    735
  • 089 Moss Green

    089 Moss Green

    Good mood creator. Used with gobos, creates a great foliage effect.

    089
  • 105 Orange

    105 Orange

    Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104.

    105
  • 744 Dirty White

    744 Dirty White

    Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a "dingy" effect like a smoky bar.

    744
  • 507 Madge

    507 Madge

    Denser, saturated orange version of 135 avoiding pinky red. Good for backlight, instruments, part of a sunset palette, and getting a party atmosphere. Madge is short for Imagination.

    507
  • 027 Medium Red

    027 Medium Red

    Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing.

    027
  • 328 Follies Pink

    328 Follies Pink

    Great for dramatic stage lighting.

    328
  • 113 Magenta

    113 Magenta

    Very strong – used carefully for small areas on set.

    113

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